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Do you want to develop the bebop sound on the guitar, study the voicings of this genre and learn how to use the arpeggios?
The jazz guitar course by Eleonora Strino is for you!
You will study step by step the application of bebop scales within solos, starting from simple harmonic progressions such as II-V-I and you will receive valuable advice on guitar solo management.
The main topics addressed are:
– bebop scales (major, minor, mixolydian);
– sixth chords applied to harmonized scales;
– application of the topics covered on the II-V-I;
– take inspiration from other instruments to create a nice guitar solo.
The jazz guitar course is suitable for guitarists and musicians curious to draw creative ideas, as it deals with general topics of harmony, rhythm and improvisation valid for everyone.
IMMEDIATELY AFTER PAYMENT YOU WILL FIND THE PURCHASED CONTENT IN YOUR ACCOUNT AND AS SOON IT IS MADE AVAILABLE YOU WILL BE THE FIRST TO KNOW!
BEBOOP SCALES 1.1 The bebop scales | ||
VOICINGS 2.1 Voicing | ||
SIX CHORDS 3.1 Major 6th chords | ||
ARPEGGIOS 4.1 Major 6th arpeggios | ||
BEBOP MIXOLYDIAN 5.1 Mixolydian (dominant) bebop scale over the II-V-I | ||
APPLICATION IN THE II-V-I 6.1 The II-V-I from the harmonic point of view | ||
GUITAR SOLO ADVICE 7.1 Solo guitar | ||
| FINAL GREETINGS | ||
Born into a family of artists, she studied music first at the Naples Conservatory, then at the Conservatorium Van Amsterdam with Martin Van Itterson, Jesse Van Ruller and Maarten Van de Gritten. She performs often with Greg Cohen (bassist for Tom Waits, Ornette Coleman, Lee Konitz and Woody Allen among others). Since 2018 he has been playing in pianist Dado Moroni’s band with appearances at major Italian festivals together with American singer Adrianne West (Barney Kessel, Joe Pass). In October 2019 she won an award for best composition at the international “Johnny Radacanu” competition (Romania) with her song “Senza e Ce Sta’.” She was invited to play her music with the Civic Jazz band of Milan at the Strehler Theater.
In 2021, she appeared on the cover of the American magazine “Jazz Guitar Today.”